How Julia Skinner Does History
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I want to help people see themselves as a bridge between the past and the future.
I want to help people see themselves as a bridge between the past and the future.
Enrico Berlinguer led the Italian Communist Party at the height of its power. A new exhibit at the Mattatoio grapples with his legacy.
As I descended into the basement I wondered if copal would ever have a chance to ascend.
Art history research can occasionally fall into the trap of viewing everything through a digital screen.
For a minute I stood listening to the 9 a.m. bells, breathing deep sighs of relief.
Historians are well aware that a good old map invites curiosity and connection.
I learned that I like to edit in the mornings, when I’m a little less caffeinated and a lot more ruthless with the text.
Perhaps we can enjoy the Baron’s palace without having to apotheosize him.
Just because something is cool doesn’t mean it belongs in an archive.
The Hills’ aliens wore clothing and spoke English—albeit with an unspecified “foreign accent.”
What happens when forged documents enter the historical record?
What happens when forged documents enter the historical record?
Two archivists share what it’s like at one of India’s largest archives.
I’m usually the first visitor to arrive, and there are never more than two others at the reading room at any time.
I sometimes feel guilty about how much fun I have researching storm chasers.
“. . . if a wide brimmed Stetson gets us going, I’m content to start there.”
“Archival work involves building relationships.”
Facebook was assigning me a place in the past, a place for the dead.
If I’m being honest, Dan was probably my best friend all those early years in Newtown.
Hi, any chance you might have sent Richard Nixon a dick joke fifty years ago?
The impending demolition of the National Archives Annexe is a crisis, not just for the study of history, but for Indian democracy.
Within the longer history of gay spaces and gay porn, eBay’s policing of “adult materials” is nothing new.
We are immersed in a landscape of risk, a damaged place that damages in return.
This museum riled illusionists worldwide when its exhibit dared to reveal Houdini’s secrets.
A chance internship helped Camille Bethune-Brown find her career.
How is the pandemic shaping the work of history and the lives of those who do that work?
In the 1950s and 1960s, the Dominicans in Cairo collected rare printed books in Arabic, particularly Muslim devotional works rarely found in other libraries.
“There’s so much experimentation and innovation happening in libraries” and Jennifer Garcon is right in the thick of it.
What better place to think about authenticity than a wax museum?
Even after 13 years working at the National Trust for Historical Preservation, “there isn’t really a typical day of work for me.”
The second in a series on how historians—especially contingent historians and those employed outside of tenure-track academia—do the work of history.
The mental institution had a lot of old volumes stored in a conference room, but they were behind locked cabinet doors and no one knew exactly what was there.
From waste containment during the Black Death to a toilet that cost $19 million, the museum is impressively comprehensive.
Over its four-decade run, LIFE Magazine had 105 staff photographers. Six of them were women.
Despite being spied on and intimidated during my time in Yorba Linda, I still think presidential libraries are too important for historians to wash their hands of them.
They meant to remake the world, and they left quite the paper trail.
Why do historians go to archives? Hasn’t everything already been digitized?
Who are museum exhibits for, and what difference does that make?