Stumbling Stones

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All photos by the author.

In religious studies — that is, the academic study of religion, through such lenses as anthropology, sociology, and history — the weekend before Thanksgiving is always AAR-SBL, the annual conference of the American Academy of Religion and the Society of Biblical Literature.

This past November it was in San Diego. I spent the week, however, in Germany, experiencing a rather different sort of history than can be found in the drab rooms of sprawling convention centers.

I’ve attended AAR-SBL in years past and even presented. (Elevator pitch: my research showed how the rise of the historical Jesus took root in the 19th-century United States less among professors and ministers proficient in Greek, and more among fringe figures like the hypnotist who described seal-like creatures on Jupiter and specified how long Jesus lay in the manger.) But my connection to that world has faded as I chose to pursue other things than an academic career.1

Even apart from how more than 70% of college faculty are non-tenure-track, factors like aging parents and a protracted degree program due to faculty bullying made me seek meaningful work elsewhere.2 Serendipity led me to jobs assisting the elderly and persons with disabilities, and now a position at the Selfhelp Home, which began in 1938 as an immigrant mutual aid society for elderly German-speaking Jews fleeing persecution in Central Europe.3

Through the Selfhelp Home, I became acquainted with 97-year-old resident Fritz Cohen, who fled the German town of Ronnenberg in 1938 with his parents. He began making return visits to his hometown as soon as the 1950s, and took part in conversations and commemoration efforts as they evolved over the decades. And in November 2019, he embarked on a weeklong trip to Ronnenberg, which centered on two days of events reckoning with the town’s Jewish history and the legacy of the Holocaust. Fritz was accompanied by his daughter, and by me.

Fritz interviewed in front of his childhood home.

The main event was the laying of twenty-two “Stolpersteine” memorial bricks before each home where Jews had fled, joining three bricks which had already been laid in remembrance of Jews who were deported and murdered, including Fritz’s grandmother.

Artist Gunter Demnig installing Stolpersteine in front of Fritz’s childhood home.

Three new Stolpersteine for Fritz Cohen and his parents join that for his grandmother, who was murdered in the Holocaust.

After speeches at different locations, including a former house synagogue now being proposed as an educational space, attendees ended the day opposite the Jewish cemetery, where flowers were laid at the foot of a memorial column listing the fates of the Jewish population.


The next day, Ronnenberg’s Lutheran church hosted a concert featuring works by less-remembered German Jewish composers of the Romantic era.

Naoko Christ-Kato (pianist, L) and Anna Gann (soprano, R) take a bow.

There were many people who made the weekend possible. Cologne artist Gunter Demnig began the Stolpersteine (which literally means “stumbling stones,” or stumbling blocks) project in 1992, and since then more than 70,000 have been laid worldwide. Ronnenberg residents Peter Hertel and Christiane Buddenberg-Hertel have spent countless hours rigorously documenting the town’s Jewish history, with the local government covering archival travel expenses and sponsoring the publication of their findings as a book. Local musicians are dedicated to reviving the region’s forgotten Jewish repertoire.4

Peter Hertel (in beige coat) speaks at the Stolpersteine dedication ceremony.

There were many in attendance: Fritz and his daughter and I, of course, but also the relatives of others who were persecuted, and easily fifty to sixty more, including high school students, businesspeople, and the Lutheran school superintendent. Some attendees, including journalists, recorded the event and helped spread knowledge of it even further.

Nor was the remembrance contained to this particular ceremony. The historians Peter and Christiane have conducted school presentations, teaching the fate of Ronnenberg’s Jews and opening up conversations about present-day xenophobia. Partway through the installation ceremony, the Lutheran superintendent in attendance left for a protest in nearby Hannover, where thousands marched against Alternative für Deutschland (AfD), a recent extremist political party known for its anti-Semitism.  On a daytrip to the town of Celle, I saw similar documentation efforts at the synagogue there, and more Stolpersteine strewn on the city’s streets.5

What of “history,” though? Certainly, in academic history, local examples of larger-known events can further conversations among professional scholars. But history can do work more important than that — showing what happened where people lived and live; fulfilling a responsibility to the past as well as the present. The Ronnenberg historian Christiane, for example, recalls how in the 1960s her history textbooks skipped from the 1920s to the Second World War, and she had to find answers about those decades from the local library and books like Anne Frank’s diary.

What most surprised me about my trip to Germany was how much more it spoke to the parts of myself that were nurtured outside of the academy than within it: the Chicago Sinfonietta’s performances of works by female composers, or seeing the fruition of a campaign by the Illinois League of Women Voters to rename a downtown Chicago street for suffragist and lynching investigative journalist Ida B. Wells, or the protests against immigrant family separation policies where I ran into other Selfhelp staffers, resident family members, and a couple of old coworkers from a library unionization drive — who as Jews were raised to say “Never Again” to any dehumanizing persecution.6

From art to civic action to work, the past is what surrounds us and what always could be. The question is not whether we will acknowledge the past — it’s which past we will choose to acknowledge.

  1. David Mihalyfy, “Heterodoxies and the Historical Jesus: Biblical Criticism of the Gospels in the U.S., 1794–1860” (Ph.D. diss., University of Chicago, 2017); David Mihalyfy, “What They Don’t Want You to Know About Jesus Christ and the Seer of Poughkeepsie,” Contingent, June 21, 2019.
  2. Colleen Flaherty, “A Non-Tenure-Track Profession?,” Inside Higher Ed, Oct. 12, 2018; David Mihalyfy, “The Div School Must Openly Confront Its Challenges,” Chicago Maroon, May 17, 2018. For more on faculty bullying, see Nicholas C. Burbules et al., “Incivility, Bullying and Academic Dysfunction,” Inside Higher Ed, Dec. 19, 2019.
  3. More information about the history of the Selfhelp Home can be found in the documentary Refuge: Stories of the Selfhelp Home (2012), dir. Ethan Bensinger (DVD and online).  See also Ursula Levy, The Spirit Builder: The Life and Times of Dorothy Becker, a Breakthrough View of Aging (Skokie, IL: College Marketing Bureau, 2004).
  4. Peter Hertel and Christiane Buddenberg-Hertel, Die Juden von Ronnenberg: Eine Stadt bekennt sich zu ihrer Vergangenheit (Region Hannover, 2016); Gernsheim – Duo (soprano Anna Gann and pianist Naoko Christ-Kato), Verborgene Schätze: Lieder von Friedrich Gernsheim (1839-1916), Genuin, 2019 (CD).
  5. On the protest, see “Thousands march in Hanover to protest far-right demo,” The Local, Nov. 24, 2019.
  6. Natalia Dagenhart, “Chicago Sinfonietta praises women composers in its ‘Hear Me Roar’ concert program,” Arlington Heights (IL) Daily Herald, Feb. 26, 2018; Jamie Nesbitt Golden, “With Ida B. Wells Street, Chicago Getting Its First Ever Downtown Street Named For A Black Woman,” Block Club Chicago, Feb. 8, 2019; Joe Mahr, Tony Briscoe, and Ese Olumhense, “Demonstrators rally in the Loop against separation of immigrant families,” Chicago Tribune, June 30, 2018; Emma Dyer, “University Loses Appeal in Library Union Case,” Chicago Maroon, Dec. 28, 2019.
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David Mihalyfy completed a PhD in the history of Christianity at the University of Chicago Divinity School in 2017. He is currently working in assisted living and is also a freelance writer.

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